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Massimo Bignardi/ The inexpressible of the everyday

For Mary the milling of coloured signs, a thing that illustrates a compositional process that has a sort of affinity with video art animations or the choice to keep the colour in the homogeneity of plans carved out by figural forms, belongs to her restless nature of “wayfarer” in the regions of making, willing then to change its course daily, because it hasn’t (doesn’t have to) a purpose.