“Oleum, after Gods’ disputation
Mary Cinque works on the “landscape” image and upon the allegoric value that the support, baking paper, plays in this case. A landscape’s image, framed from different positions, recorded by a “writing” that relates with the background, acquiring the blurs the support brings, inciting atmospheres pervaded by a visionary dictation, following the free registers of her own fantasy.”
Massimo Bignardi
Oleum 040Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 039Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 038Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 037Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 036Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 035Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 034Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 033Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 023Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 019Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 017Enamel on baking paper, mounted on board cm 29 x 21, 2010
Oleum 01Enamel on baking paper, mounted on board cm 29 x 21, 2010